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"Serious Fun" was one of the first songs I wrote trying to incorporate Martinique's tanbou bèlè drum into a band setting. I've stolen a fragment of a bèlè song, "Panni pasé lamen oswé-a," for the bridge. This means "we don't pass the hand tonight" — that is, we're serious, we're not just fooling around. Bèlè is a playful dance but in Martinique even a happy tradition carries the sadness of history. In that spirit, on the bridge I switch from the bèlè rhythm to danmyé, an African-derived martial art with overtones of resistance (similar to Brazilian capoeria). The solos are by Eugene Uman on piano, Jon Weeks on sax, myself on tanbou, and in the coda Ben James on drum set.

credits

from Music for the Exploration of Elusive Phenomena, released June 18, 2021
Julian Gerstin, music, tanbou bèlè, percussion
Don Anderson, trumpet
John Wheeler, trombone
Jon Weeks, saxophones
Eugene Uman, piano
Jay Cook, bass
Ben James, drum set

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Julian Gerstin Brattleboro, Vermont

Julian is a percussionist and composer whose music reflects his experience with musicians in and from Cuba, Martinique, Ghana, Nigeria, South Africa, Bulgaria, and Egypt as well as jazz from trad New Orleans to experimental.

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